Why did stieg larsson writer

Is there a plugin you would recommend? That much money provides dangerous motivations for the organized gangs to trace it. It would be a matter of time before she may be discovered. Maybe this author as well. We are starting to favour the necessary nature of cruel complications. This anticipatory feeling which fondly insinuates something rather wrought iron.

And real. She feels.. Not everything, though. Not ever. A secondary sensation, perhaps I came across the trilogy by chance and I became interested in its author, whose commitment is the honor of his country. Chris schroeder in New York- Because she hates fucking misogynists like you with your "men evolved for protecting women" bullshit. Almost no male organisms protect the females or the offspring except before and during mating. Around the World. Crime Books. Inside the Mind of Lisbeth Salander.

Michael Nyqvist dies aged Background Stiegs grandfather, an inspiring role model Stieg Larsson was born in Vasterbotten in northern Sweden in At the time of his birth, his parents were too young and too poor to keep him, so he was raised by his grandparents in a small village in the north of Sweden.

Read more. Work Left-wing activism and anti-war protests After finishing school and his military service, Stieg Larsson worked a couple of years at a post office. During these years in the mid-seventies, he was an active member of the Swedish left-wing movement which flourished during these years. He edited a Trotskyite magazine, and he took a great interest in the ongoing war in Vietnam.

Lagercrantz and his translators wrote their manuscripts on laptops disconnected from the internet. When the final draft was completed, Nordstedts couriered a single printed copy to the chief editor of each of the international publishing houses they had worked with on the original Millennium trilogy. Novelist and screenwriter Frank Cottrell Boyce wrote a series of books featuring the flying car Chitty Chitty Bang Bang after being approached by the family of the original author Ian Fleming.

This article is more than 6 years old. Reuse this content. They did not read manuscripts from first-time authors. Today, one almost pities them. The editing went slowly, because Larsson was always overscheduled. In them we find Gedin asking Larsson politely, but with increasing emphasis, to make room in his schedule to meet with her and hear her editorial suggestions.

He responds blithely that he will do so, eventually. One afternoon, seven months after the contract was signed, he went to work at Expo, found that the elevator was broken, climbed seven flights of stairs, had a heart attack, and died. He was fifty. In part because Larsson was not alive when the books were published, the Millennium trilogy has been surrounded by a number of controversies, the juiciest being the question of who should be receiving the fortune the books have earned.

The two of them never married, however. Larsson—and, later, Gabrielsson—said that this was a way of protecting her; she would not run his risks.

When Swedes die intestate, everything is awarded to their kin—a strange law in a country where unregistered unions are almost the rule. These two men were not unaware of the awkwardness of their position. She refused this offer, at which point the dealings between the two parties grew nasty.

Gabrielsson told the press that Larsson had been alienated from his father and brother. They, in turn, suggested that Gabrielsson was psychologically disturbed. Does Gabrielsson really have the laptop? At one point, she told the press that she had given it to Expo. Meanwhile, a lot of people think that she has been terribly wronged. If you call up www. Another question that has been raised about the trilogy is: Who wrote it? Another colleague has come right out and said that someone else must have authored or at least heavily edited the books.

The person most often pointed to is Gabrielsson, who is reputed to have good literary skills. She is an architect and writer. Asked about her contribution to the trilogy, Gabrielsson has been as elusive as she was about the laptop. In an interview with Swedish National Television, she denied having given any direct assistance. Furthermore, they had only seven months together. When I asked Gedin whether, as a result, the books received little editing, she firmly denied this.

With the second and third books, she said, she suggested some revisions, and Larsson indicated his approval. Still, Norstedts may have been reluctant to make extensive changes that the author had not survived to oversee. As for the English edition, it was apparently not subject to any such scruples. The translation was done at top speed because Norstedts needed to show it to a film company , and then it was heavily revised by its editor, Christopher MacLehose, of Quercus Press, in London.

Gabrielsson registered bitter complaints about the changes. So did the translator, Steven Murray. He actually took his name off the novels; he is credited under a pseudonym, Reg Keeland. MacLehose stands by his work. In its edited form, as many Americans bid for it. However much the book was revised, it should have been revised more. The opening may have been reworked, as Gedin says, but it still features an episode—somebody telling somebody else at length twelve pages!

And, pace Gedin, it is preceded by a substantial description of a flower. Elsewhere, there are blatant violations of logic and consistency. Loose ends dangle. There are vast dumps of unnecessary detail. The dialogue could not be worse. The phrasing and the vocabulary are consistently banal. She realized with terrifying clarity that she was out of her depth.

Maybe somebody will franchise this popular series—hire other writers to produce further volumes. This is not a bad idea. The most crippling weakness of the trilogy, however, is its hero.

Mikael Blomkvist is so anti-masculinist that, in a narrative where people are brandishing chainsaws, he can take no forceful action.